The answer is... make a short film. But before I get to that, a quick, personal update: I finally moved out west! Yes, I am now officially a resident of San Diego, where life is generally uneventful and the weather is always post-card perfect (except this week). And that's exactly what I wanted, so I'm happy. I'll be posting a lot more now that I'm done with the move and all of the expected headaches. Actually, I'm very much looking forward to the San Diego Latino Film Festival, which unspools March 11-21. I've never been to it, but it has a very good reputation. Expect write-ups and reviews from the fest as well as regular posts about other topics in the weeks to come. It's been a slow winter for Latin American cinema - the only major release since "Gigante" in early December is "Los paranoicos" ("The Paranoids"), an offbeat Argentine comedy which was panned by the NY Times today. But hopefully things will pick up now that Sundance is underway and Berlin is coming up.
Ok, so back to the initial question- How do you become a crazy rich Latino filmmaker? Just follow Federico Alvarez's lead. Get incredibly good at computer animation, make a visually sophisticated short for $300 dollars about space machines attacking (and destroying) Montevideo, post it on You Tube, sit back and watch Hollywood throw millions of dollars at you. It's that easy.
After Alvarez's short "Panic Attack!" became a sensation online, Sam Raimi ("Spider-Man") called him up and the two of them hit it off. Alvarez then signed a contract with Raimi’s production company and is now set to make his feature film debut with a $30 to $40 million dollar budget. It's unclear whether it will be a longer version of "Panic Attack!" or something completely different. Frankly, I hope it's not some retread of what Roland Emmerich and Michael Bay already do. I'm banking for something with some social relevance like District 9.
I was going through the blog list on indiewire.com (a daily ritual) when it dawned on me that I had never seen any blogs that focused on Latino filmmaking... so I decided to start one.
Originally from Puerto Rico but now living in New York, I am primarily a documentary film editor who has also dabbled in directing (mostly docs) and producing (syndicated television and web series). Here's my imdb page and my online reel.
My taste in film is pretty eclectic. I'll watch anything - from Todd Philips to Aleksandr Sokurov. So even though this site is dedicated to Latino film fare please note that it's just a starting point. I may start writing about, say, Sebastián Silva's "La Nana" ("The Maid") and end up discussing Bergman's "Persona" (I actually see similarities between them!).
The thing is, I'm not getting paid for this so I can write about wherever my mind takes me. But also, it would be stupid and shortsighted of me to write about Latino filmmaking as a monolithic movement. Latin America is made up of 26 countries, all of which produce wildly different types of films. Therefore, Latino filmmaking deserves to be seen in a larger context and, of course, included in discussions of film as a whole. So that's what I'll try to do, expand the conversation.
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DiazFilm
Top Ten Films of 2010 (so far)
1. Mi vida con Carlos (My Life with Carlos) 2. La teta asustada (The Milk of Sorrow) 3. Mother 4. Exit Through the Gift Shop 5. El Ambulante (The Peddler) 6. Thunder Soul 7. Racing Dreams 8. Greenberg 9. Los viajes del viento (The Wind Journeys) 10. Contracorriente (Undertow)
Top Ten Films of 2009
1. La Mujer Sin Cabeza (The Headless Woman) 2. La Nana (The Maid) 3. Bright Star 4. The Hurt Locker 5. Il Divo 6. Anvil: The Story of Anvil 7. The Cove 8. Burma VJ 9. Turistas (Tourists) 10. Intimidades de Shakespeare y Victor Hugo (Shakespeare and Victor Hugo's Intimacies)
RELEASE CALENDAR (THEATRICAL)
If you click on a title, you will be directed to its trailer!
Los Angeles Film Festival - June 17-27, 2010 New York International Latino Film Festival - July 27-August 1, 2010
DVD RELEASE CALENDAR
June 22 La nana (The Maid)
July 6 Los viajes del viento (The Wind Journeys)
July 13 Amor letra por letra
July 27 Viva Castro
October 5 Alamar (To the Sea)
March 29, 2011 Un novio para mi mujer (A Boyfriend for my Wife)
FILMS I'VE SEEN RECENTLY
(out of a possible 5 stars)
Stranger Things - **** Windfall - **** The Disappearance of McKinley Nolan - ***1/2 Nostalgia de la luz (Nostalgia for the Light) - ****1/2 The Kids Are Alright - *** William Kunstler: Disturbing the Universe - *** The Art of the Steal - **** My Kidnapper - ***1/2 180 South - **1/2 Presumed Guilty - ***1/2 I Am Love - **1/2 Greenberg - ****1/2 Racing Dreams - ****1/2 West Side Story - **** Casa de Areia (House of Sand) - ****1/2 Cropsey - **** El ambulante (The Peddler) - ****1/2 La teta asustada (The Milk of Sorrow) - ***** Casino Jack and the United States of Money - ***1/2 The Horse Boy - ***1/2 Thunder Soul - **** The Lovers (Louis Malle) - ***1/2 Ilusiones Opticas (Optical Illusions) - *** The Canal Street Madam - ***1/2 The Two Escobars - **** No Crossover: The Trial of Allen Iverson - ***1/2 Joan Rivers: A Piece of Work - *** Exit Through the Gift Shop - **** The Botany of Desire(PBS) - *** Cleo from 5 to 7 - ****1/2 Killing Time - *1/2 Boys of Baraka - ***1/2 Worse than War (PBS) - **1/2 Terribly Happy - **1/2 Fish Tank - **** Brüno - *1/2 Afghan Star - **** Un Prophete (A Prophet) - *** Mother - ****1/2 Ali: Fear Eats the Soul - ***1/2 The Road - *** Army of Shadows - ***** Winning Time: Reggie Miller vs. The New York Knicks - **** The Hit - **1/2 Memories of Murder - **** Io, Don Giovanni - * 1/2 Mi Vida con Carlos (My Life With Carlos) - ***** Stages - **1/2 Los viajes del viento (The Wind Journeys) - **** Outrage - ***1/2 Sons of Cuba - **** La Clave - **1/2 We Live in Public - **** Nevando Voy - **1/2 Imaginadores - *** Birdwatchers - ***1/2 Cuestión de Principios (A Matter of Principle) - *1/2 Beauty of the Fight - ***1/2 El Informe Toledo (The Toledo Report) - ** Norteado (Northless) - *** No Impact Man - ** El Regalo de la Pachamama(The Gift of Pachamama) - **1/2 Dzi Croquettes - ** Entre Nos - **1/2 Dawson, Isla 10 - **1/2 Oveja Negra - ** Le Bonheur - ***** Food Beware: The French Organic Revolution - *** Alamar - *** The Red Balloon (short) - ***** The White Main (short) - ** Au Hasard Balthazar - ** Le Conseguenze Dell'Amore (The Consequences of Love) - **** The Ghost Writer - ** The Swimmer - *** Le Doulos - ****1/2 Hiroshima Mon Amour - ***** The Filth and the Fury - ***1/2 Patti Smith: Dream of Life - **** Contracorriente (Undertow) - ***1/2 Die Welle (The Wave) - **** 3 Women - **** The Long Good Friday - ***** An American Friend - ****1/2 The Fire Within - ****1/2 Up - **** Avatar - *** Wages of Fear - *** 2012 - *** Le Samourai - ***** That Obscure Object of Desire - **** God Grew Tired of Us - **** The Devil and Daniel Johnston - **** El General (The General) - *** Best of Youth - ***
- I like Daniel Burman's films, so what? If he was working in Hollywood in the mid-80's - when his particular style of dramas were in vogue - he'd be winning Oscars left and right.
- While watching the incredible documentary "The Garden," I got to thinking: What's the best Latino-themed film made by a non-Latino. "Raising Victor Vargas" would definitely be in the list but other than "The Garden" I can't think of any others. I have to write a column about this soon.
- I know there's a glut of film festivals out there but we need a Latin American documentary festival somewhere close to North America. I nominate Puerto Rico as the host country (yes, country!). You know what - maybe I'll start it myself now that I'm an "influential" blog writer :-) Why not?
- Junot Díaz and Alex Rivera can do much better than their latest book/film.
- Why are Mexican filmmakers so obsessed with making films that feature 3 interconnecting stories?
- I hate it when so-called film enthusiasts watch an arthouse film and then rate it according to Hollywood standards. This is the kind of thing I've heard: "It had some wonderful moments but overall I think it was too slow. The third act dragged on too long." Do you think Hsiao-hsien Hou thinks about the three-act structure when making his movies? Probably not. So why not accept the movie on its own terms? The problem is that Hollywood has spoon-fed us for far too long and this significantly influences the way we judge films, whether we realize it or not.